I am an interdisciplinary artist based in the Hudson Valley region of New York. My art gives imaginative expression to the values of harmony with nature and environmental responsibility. It is deeply grounded in the belief in a universal energy running through all things. I imagine this energy as a living, visible form. 

I pay homage to the monumental power of nature to adapt, transform and regenerate.

I regularly use natural items in my works, some of which are the remnants left from natural disasters like floods and hurricanes. I have collected roots uncovered by erosion and detritus washed up on the beach. I have embedded an entire colony of honeybees, donated by a local apiary. Many works contain the Monarch butterfly, donated by The Monarch Conservancy. Climate change and the use of genetically modified agriculture are, in part, to blame for their demise.

Most recently I have been using the disappearing White Birch Tree as my point of departure, and the subject of my new online petition: https://www.change.org/p/protect-white-birch-trees?utm_medium=custom_url&utm_source=share_petition&recruited_by_id=3359dd40-ea41-11e6-b7e2-61fd1b047035

My works suggest a primordial energy in relation to the natural world. This is informed by my experiences with neo-paganism and public ritual. I see this energy as a re-animator, capable and ready to restore what has been lost.

There are other influences in my work, such as my piece Spring of Springs, based on a quote by Thoreau-

“ I saw a striped snake run into the water, and he lay on the bottom, apparently without inconvenience, as long as I stayed there, or more than a quarter of an hour; perhaps because he had not yet fairly come out of the torpid state. It appeared to me that for a like reason men remain in their present low and primitive condition; but if they should feel the influence of the spring of springs arousing them, they would of necessity rise to a higher and more ethereal life.”

There is a symbiotic relationship between nature and humans which is vital to our existence. It is a spiritual life force, and visibly present for me. With my art I encourage the seeking of interconnectedness with all living things. harmony with nature, and environmental responsibility. My sculptures are emblematic of the transformation and revitalization that is possible within all of us.

 
photo by Robert Carrithers

Laurie Sheridan

delfido8@gmail.com

In New York: PO Box 621 Port Ewen, New York 12466

In Florida: 101 Ingham Road Unit #16, New Smyrna Beach, Florida 32168

Laurie Sheridan CV 2025

 

HONORS

2025  Studio Residency and materials grant, MMAQ / Centre Materia /

Maison des Metiers d’Art de Quebec, Quebec City, Canada

2024  Residency, Castle Hill Truro Center for the Arts, MA

2023  Residency, Le Festival D’Arte Contemporain, Roquebrune-sur-Argens, France

2022  Award, “Elemental Effects”, Long Beach Island Foundation of Arts and Sciences,       New Jersey

2022  Residency, Bargemon, France for Le Festival D’Arte Contemporaine

2018  Travel and Materials Grant, Swiss Government; Rising Up-Flowing Down, Vienna, Austria

2017   Award, Most Wearable for 5 piece ensemble. Museum of Art - Deland, "Surrealism" fashion show, Deland, Florida

2016   Residency, Serde Artists Lab; Aizpute, Latvia

2014   Residency, Alumni Invitational; Atlantic Center For The Arts; New Smyrna Beach, Florida

2009  Award, Woodstock Byrdcliffe Guild; Kleinert-James Gallery, Woodstock, New York

2008  Award, Belskie Museum of Art; Closter, New Jersey

2008  Award, Osceola Arts; Women’s Caucus For Art, Matriarchs and Madonnas Kissimmee Florida

2001  Travel Grant: Zimbabwe; sponsored by Africa 2000 / Art Safari; Harari, Zimbabwe

1999  Printmaking Residency, Women’s Studio Workshop; Rosendale, New York

1994  Residency with Master Artist Ed Pashke, Atlantic Center For The Arts; 

New Smyrna Beach, Florida

 

EXHIBITIONS

2025   Tilly Foster Farm and Collaborative Concepts, Brewster New York

Historic Red Mills Park with Collaborative Concepts, Mahopac, New York

2024  Ocala 2-year Outdoor Sculpture Competition Biennial, Tuscawilla Art Park, Ocala, FL*

Fresh Air Sculpture Exhibition, Gloucestershire, UK

Jane’s Street Art Center, “Angels”  two dimensional works, Saugerties, New York

2023    Art In The Orchard Biennial. sculpture, Easthampton, MA*

The Enchanted Garden. sculpture, Jordoigne, Belgium

           Tilly Foster Farm / Collaborative Concepts. sculpture installation. Brewster, NY

Le Festival D’Arte, video presentation with Hangaroh Collective. Stephen Paul, curator

Roquebrune-sur-Argens, France**

EXHIBITIONS, selected, continued 

2017    Hapgood-Wright Forest “Art Ramble” Musquatequid Arts and Environment,       

                      Umbrella Arts, outdoor sculptures inspired by Thoreau. Concord, MA

             Vassar Farm “Art on the Farm”, Poughkeepsie, NY outdoor sculpture (artists talk)

             Museum of Art Deland, “Wearable Art 6; Surreality” fashion event, award. Deland, FL

2018   Vienna Watertower, "Rising Up, Flowing Down" with the Hangaroh Collective, group    exhibition with performances, video and sculpture installation . 

Curated by Regina Hugli and Anne Glassner. Vienna, Austria. *** 

Wired Gallery, "Lines Let Loose", drawing exhibition curated by Meredith Rosier

High Falls, New York

2016    Sculpture Now at The Mount, Edith Wharton Estate; “Remix” outdoor                sculpture exhibition with artists talk, curated by Ann Jon. Lenox, MA  *

            The Hangar- “In-Between” installation sponsored by Serde Artists Lab.                         Group project with Hangaroh Collective(slide discussion)  Aizpute, Latvia

2010    Curious Matter Gallery; The Ecstatic (tv interview) New Jersey

2009    St. Joseph's College; "Waves of Change" activist-inspired art and photography

                      video presentation and artists talk to students Brooklyn, NY

             Kleinert-James Gallery, "Byrdcliffe Guild" Woodstock, NY (award)

             Rose Gallery, Peabody Auditorium, "Hope" Daytona Beach, Florida

2008   Museum of Florida Art; "Florida Biennial IV", encaustic painting  Deland, Florida

           Osceola Arts Center, "Matriarchs and Madonnas" honoring the female divine. 

Womens’ Caucus for Art, Kissimmee, Florida (catalogue)            

2007    New York Public Library, Donnell Branch 52nd street, NYC Solo installation

                   "In Memorium: Remembering Our Women In Uniform Who Have Died In Iraq”; 

                    Photo-encaustic portraits, patriotic memorabilia; history timeline (radio interview)

             University Club Gallery, "Matriarchs and Madonnas" Womens’ Caucus for Art, 

Winter Park, Florida                             

2005    Maitland Art Center; "Womens Caucus for Art Annual", Curator Nancy Azara,      Maitland, Florida (catalogue)

            University of Hawaii Gallery,”Pacific States Biennial National Print Exhibition”.

                    Juried by Mohammed Khalil, Hilo, Hawaii (catalogue)

2003     Sonoma Academy, Solo exhibition: Forty-painting retrospective. Santa Rosa,       

                     California. Slide presentation and artist’s talk to student body.

2002    Sierra Club:"Picture California: Focus on the Environment" Juried by Marcia         

                    Eymann, Curator of Photography, Oakland Museum- travels to

                     Fort Mason Foundation, San Francisco,  

        The Lindsay Wildlife Museum, Walnut Creek, CA

2001    Sonoma Museum of Visual Art; "California Small Works 2001"

                    Juried by Kenneth Baker, critic S.F. Chronicle - Santa Rosa, CA (catalogue)

            Benicia Gallery, “Imprints - A Survey of Traditional and Experimental Printmaking"

                    Juror Archana Horsting, Exec.Director, Kala Institute - Oakland, California

            San Francisco Chamber of Commerce; "5 Artists" Curated by OwenGeronimo 

            Alice Arts Center, "ZImbabwe Art Safari Exhibition and Fundraiser" Oakland, CA**

2000    Bade Museum/ UC Berkeley, “Temples - Malta, Images and Inspiration” (artists talk)

                      traveled to: California Institute of Integral Studies, Curator Tricia Graeme 

San Francisco, California

Scottish Rites Temple, “Temples – Malta” Event with performances Oakland, CA

1999    A.R.T. Art Resources Transfer, "Primordia" Solo Exhibition

                       Curated by Bill Bartman, New York, NY

COLLABORATIONS

2020 - 2024 Hangaroh Collective, Latvia   https://hangarohcollective.wordpress.com

     with artists Bartaku (Belgium), Seila Fernandez Arconada (Spain),

     Anne Glassner (Austria)

2010 - 2012  Little Rose Shelter, Ho Chi Minh City, Vietnam, 

During employment teaching ESL: Taught art and created collaborative project  with teenagers in at-risk girls home  

 

EDUCATION

2021-2025  Crealde School of Art, Winter Park, Florida

2019   SUNY State University New Paltz, MFA program  NY 

2005   Associates Degree in Animation, De Anza College, Cupertino, CA

1982   Bachelors Fine Art, Parsons School of Design  / The New School, New York, NY

1979   Boston University, Fine Art and Political Science  Boston, Mass

1978  Maryland Institute, College of Art  Baltimore, Maryland

BIO

Laurie Sheridan is an interdisciplinary artist working in the realm of sculpture. She uses the medium of cast resin to integrate organic elements with her glowing forms represent energetic unseen entities. She takes nature as her focal point, either materially or conceptually.

She has exhibited extensively, and has been granted many residencies, recently at MMAQ in Quebec City, Canada, September 2025. Her work has won numerous awards, recently for Elemental Effects with an ephemeral organic sculpture, in New Jersey. Her sculptures, paintings and mono prints are in private collections nationally. She has participated in artistic collaborations in Vietnam,, Austria, France and Latvia. She is a member of the New York Artists Circle, The IATSE Union of Theatrical Scenic Painters, and the international art group the Hangaroh Collective.

Ms. Sheridan splits her time between Kingston New York and New Smyrna Beach, Florida.